A still from the 1977 film.
A recent resin kit acquisition from eBay showing a scene from one of Ray Harryhausen's lesser efforts “Sindbad and the Eye of the
Tiger” (1977) starring Patrick Wayne, John's son. The plot is very similar to “The Golden Voyage of Sinbad” (1973) and, now that I think about it “The 7th Voyage of Sinbad” (1958), (a personal favorite) , where Sinbad
is on a quest to cure a loved one or someone of some importance that has had a spell or curse put one them. In “Tiger”, Sinbad has to restore a prince who has been turned into a baboon by an evil witch and it is a race against time to halt the
transformation as the prince slowly becomes more and more baboon like in his behavior.
The quality of the animation
is fairly standard for Harryhausen (which is still better than most on their best day) but the lackluster creatures and sleepwalking performances of the main characters would put the most attentive viewer to doze off.
Unfortunately, the most interesting creatures, the ghouls (as they are curiously called) appear roughly 10 minutes into the start of the film and are quickly dispatched
by an avalanche of rolling logs. In any case, the sculpt of the three is another fine piece of work by Joe Laudati who should be the only one allowed to sculpt Ray's creatures IMHO.
The cast is fairly clean requiring only a moderate amount of filing to clean off seam lines. Perhaps the most difficult part of the kit was to attach two of the ghoul's arms to the bodies because
of awkward positioning of the hand's holding weapons. My solution (and I am sure there are better ones) was to drill holes at the shoulder joints and upper arms along with the intersection of the weapons shafts and hands.
I then pinned everything WITHOUT glue to see how they fit. Some pin holes had to be drilled larger to accommodate awkward angles at the joints but
I finally got them to work. The trick is to work on one ghoul at a time until you are satisfied with the limb placement(s) and glue only one intersection at a time with a 5 minute epoxy which gives you a little leeway in positioning. Even cured, you can sometimes
force the arm into a better position. I suggest using a soft metal for pining such as small finishing nails or even paper clips. Fortunately, all three of the ghouls had their legs attached to the torso so you don't have that to contend with.
I went to Google to get the color palette for the monsters although the instructions suggest what you may want to do for a color scheme.
After priming the three figures in dark gray, I rattle canned the figures with a light coat of satin boot brown followed by dry brushing with an acrylic yellow ochre. I then used the so-called dip method to bring out the subtle detailing on the creatures bodies
with Rustoleum Walnut stain which worked pretty good despite the high gloss sheen it gives once dry. Since the monsters weren't shiny in the film I gave them a couple coats of matte lacquer from a rattle can. I painted each set of eyes metallic green, British
crimson and black followed by a thick application of clear gloss for a wet look.